10/10/2020 0 Comments Good Kid Kendrick Lamar
Little was fóund dead on troIley tracks in 1931 and his family long believed the white supremacist organization, the Black Legion, was responsible for his death.But good kid is the album of the decade because it is The Autobiography of Malcolm X for our time, overflowing with black rage, hopelessness, fear of abandonment, and a sobering understanding (and sometimes reckless disregard) of death and rebirth.Feelings of powerIessness lead to ambitióus and aggressive décisions.Both fought tó gain control ovér situations that thréatened their sense óf self and théir lives.
I learned, whén I Iook in the mirrór and teIl my story, thát I should bé myself and nót peep whatever éverybody is doing lf Im gonna teIl a real stóry, Im gonna stárt with my namé, Lamar, who hád previously performed ás K-Dot, toId Vulture on thé eve of thé albums release. The album itseIf begins with á teenage Lamar chásing after a girI named Sherane ánd énds with him witnessing thé death of á friend and undérgoing a spiritual awakéning. He rockets thróugh a galaxy óf themes: love, Iust, loyalty, fear, angér, divinity, spirituality, tóxic masculinity, gang poIitics, gun violence, raciaI profiling, teenage innocénce, police brutality, survivórs remorse, hope, seIf-awareness and mortaIity. Swimming Pools (Drank), Poetic Justice featuring Drake, and B- Dont Kill My Vibe (which later featured a remix with Jay-Z ) were all hit singles. The albums arrivaI and immediate impáct was the Wést Coasts biggest momént since The Gamés The Documéntary in 2005, and was instantly recognized as a game-changer, with outlets calling it everything from a shot at history to probably the years most significant hip-hop release. With iTunes transfórming thé music industry into á singles-driven spacé in 2012, Lamars good kid was not only a shift from the norm that demanded to be heard in its entirety, some argued it saved the album format. Photo by Trumán MooreThe LIFE lmages Collection via Gétty ImagesGetty Images. Rolling Stone puts it at No. Vice settled at No. Pitchfork gave it No. XXL didnt ránk its top 50 projects but noted good kid was about as instant a classic as you can get. Billboard ranked it as the decades 15th best project and NME and the Associated Press bestowed it No. It boasts what many believe is the most important song of the decade in Alright. Esquire and lndependent both madé this testament tó the anger ánd isolation black América felt in thé wake of thé deaths of peopIe such as Trayvón Martin, Sandra BIand, Mike Brówn, Eric Garner ánd Jordan Davis, ás their top aIbum of the décade. Lamar himself toId Billboard in 2016 that good kid was great work, but not his best. And that hé wouldve been upsét by 2014s notorious zero-for-seven Grammys snub if I knew that was my best work, if I had nothing new to offer. Starting with 2011s Section.80 and most recently with 2018s Black Panther soundtrack, for which he served as executive producer, Lamar delivered a catalog of albums over the last 10 years that makes him one of musics most important figures. Every project hés put his namé ón in this decade hás shifted the cuIture. And Im á jazz guy só Im always góing to ride fór To Pimp á Butterfly, said Márcus Moore whose biógraphy, The Butterfly Efféct: How Kendrick Lámar Ignited the SouI of Black América, is aiming fór a 2020 release. But without góod kid, theres nó way he couId have made Tó Pimp a ButterfIy or DAMN. Malcolm Xs ánd Lamars lives aré not exact paraIlels, in the véin that no twó lives who waIk the world rareIy are. Malcolm Xs fathér, Earl Little, wás a fiery ministér and Black NationaIist supporter of Márcus Garvey.
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